Saturday, October 6, 2012
Apple-Cinnamon Sweet Bread with Dried Cherries . . .
The inclination to make some sort of baked good that's braided, twisted, or otherwise twirled this way and that, hits me at least once a year and it struck again this week.
Isn't it funny how the shape of a food can influence one's perception of how good it might taste, how exotic its origin, or how challenging it might be to prepare? There's something special about curvy food. We become literally entangled in its aura.
The way it meanders hither and yon, curling and whirling wherever the recipe takes it. The presence of figure-8 curves lends a certain spontaneity, a sense of adventure, a bit of mystery that normal food doesn't possess.
Heck, what say we just go completely off the rails here and declare it's all a metaphor for life?
About this recipe . . .
Adapted from a King Arthur Flour formula (I seem to be in a King Arthur phase lately, don't I?), this apple-cinnamon bread likes to masquerade as something complicated. But don't be fooled, because this dough is much less labor intensive and far less rich than a laminated dough, the kind that has tons of butter rolled into it--think Danish-pastry or puff-pastry.
I decided to add some chopped dried cherries (yes, from Michigan, in case you were wondering) to the apple filling. I think the cherries were a nice addition in terms of flavor and color; I also increased the cinnamon, and used a little fresh-ground nutmeg. You might consider using dried cranberries or raisins if you don't have cherries. I used about four small Gala apples that happened to be very sweet and crispy, but use whatever apple variety you prefer.
This bread isn't scary to make (I did it by hand; no mixer needed unless you want to use one), though it does take some time from start to finish, what with about four hours of rising time in total (I started it at about 9 a.m. yesterday morning, proceeded in a halfway-leisurely fashion, and took it out of the oven around 2:15 p.m.). Once baked, it is best when very fresh. Since it makes two large loaves, I immediately froze the second one shortly after it was cooled and the drizzled glaze had had a chance to dry. Sliced up, you'll get many servings out of this recipe.
Apple-Cinnamon Sweet Bread with Dried Cherries
(For a printable version of this recipe, click here!)
Yield: Two large loaves (approximately 16 slices per loaf)
Ingredients for the dough:
3 and 1/4 cups pastry flour or unbleached all-purpose flour (I used pastry flour.)
1/4 cup dried potato flakes (mashed-potato flakes) or potato flour (I used Hungry Jack brand dehydrated potato flakes.)
3 tablespoons granulated sugar
1 and 1/2 teaspoons instant yeast
1 and 1/4 teaspoons salt (I used coarse kosher salt.)
3 tablespoons unsalted butter, softened
1 teaspoon vanilla extract
1 large egg, lightly beaten
1 cup milk (I used 2 percent, and warmed it to room temperature.)
Ingredients for the filling:
1/2 granulated sugar
3 tablespoons all-purpose flour (Or, KAF suggests you use Instant ClearJel; I used flour.)
2 teaspoons ground cinnamon
1/4 teaspoon ground nutmeg
1 cup apple that's been peeled and grated (I needed four small Gala apples.)
3 tablespoons dried cherries, chopped small
1 tablespoon fresh lemon juice
Ingredients for the glaze:
2 cups confectioners' sugar
2 teaspoons vanilla extract
3 to 4 tablespoons cream, half and half, or milk (I used half and half.)
To make the dough:
In a large bowl, whisk together thoroughly all of the dry ingredients, making sure there are no clumps.
Add in the butter, vanilla, lightly beaten egg, and milk. Stir with a spoon or fork until the dough looks quite shaggy. Let the dough sit in the bowl, uncovered, for half an hour (per KAF, this will give the flour time to absorb liquid, thus making the dough easier to knead).
Onto a well-floured surface, dump out your dough. Flour your hands liberally, and knead the dough for about ten minutes. If your dough feels too dry, sprinkle it with drops of water; too wet, use more flour on your kneading surface.
The dough, once ready, should be springy, smooth, and elastic. Place it into a large, clean bowl, that's been oiled or sprayed with vegetable spray (I used the latter). Cover the top of the bowl with a sheet of plastic wrap that's also been sprayed, and then cover that lightly with a thin dish towel.
Let the dough rise in a draft-free spot until just about doubled; this may take 90 minutes to 2 hours. (The longer the rise, the better the final flavor of the baked bread, so longer is often better.)
While the dough is rising, prepare the filling.
To make the filling:
In a small bowl, whisk together the sugar, flour, cinnamon, and nutmeg. Put the grated apple and chopped dried cherries into a medium bowl and toss them with the lemon juice; sprinkle the dry ingredients over the fruit and stir thoroughly. Set aside.
To roll out, fill, and shape the dough:
Turn the risen dough out onto a lightly floured work surface. Deflate the dough gently by folding it over a couple of times. Cut it in half. Dust your surface again, lightly, with flour. Working on one piece at a time, roll the first half of dough into a rectangle that's 10" by 12".
Spoon half of the filling onto the rectangle and spread it all around, leaving an uncovered border of about 1/2" around the edge.
Beginning with the longest side of the dough, roll the dough up into a log.
Seal the long seam tightly by pinching it closed with your fingertips, and seal the ends as well. Now do the exact same thing with the second piece of dough.
Use a sharp pastry wheel (aka pizza cutter/wheel) or chef's knife to slit each log from top to bottom, length-wise.
Now, do this for each split log (so you end up with two loaves): Place two lengths of dough filled-side up, side by side on a piece of parchment set over a baking sheet (I forgot to put my first log, the guy on the left, onto parchment and had to transfer it after it was twisted--yikes!). Keeping the filling-side up, twist the two lengths together, working from the center out to each end. Pinch the dough at the ends together so they won't come apart while baking.
Cover the two loaves loosely with sprayed plastic wrap, and cover that lightly with a dish towel.
Preheat the oven to 350 degrees. Let the loaves rise again until almost doubled, up to 2 hours.
Bake the loaves in the middle of your oven for approximately 30 to 35 minutes. They should be lightly golden on top and darker golden on the bottom. Peek at them after about 20 minutes, and cover the loaves lightly with foil if they appear to be browning too fast.
Let the baked loaves cool on a rack and glaze them when they're no longer warm.
To make the glaze:
In a medium bowl, stir together the confectioners' sugar, vanilla extract, and milk/cream until the glaze is the consistency you prefer. Drizzle the glaze over the cooled loaves. (If you like, sprinkle a few pinches of sanding sugar over that to add a little sparkle, while the glaze is still kind of wet.) Once the glaze has dried, you may wrap the loaves now if you are going to freeze them.
(If you'd like to comment on this post, or to read any existing comments, please click on the purple COMMENTS below.)
Chocolate Chip Muffins
I know what you are thinking. Muffins in Italy? Yes, it's a small world after all. They are more like mini, chocolate chip cakes. Whatever you call them, they were just what I needed on this cool morning. The rolling thunder awakened me, so why not start cooking. In no time at all, these muffins were out of the oven.
INGREDIENTS:
1 cup self rising flour or 1 cup regular flour with 1/2 teaspoon baking powder sifted
1/2 cup Cocoa powder
pinch of fine sea salt
Sift together your dry ingredients and set aside
In a separate bowl,
cream 1 stick butter
1/2 cup sugar
1 teaspoon vanilla extract
Splash (about one teaspoon), of Frangelico or any chocolate based liquor
3 eggs
Add your eggs one at a time until creamy.
Add your dry ingredients to your wet ingredients 1/2 at a time. Mix until creamy. If your mixture does not incorporate, add a little milk, a tablespoon at a time. Batter will be thick.
Line a baking pan or butter a muffin tin.
Preheat your oven to 375F degrees.
When your batter is completely incorporated, fold in your chips.
Keep mixing and let rest for 5 minutes.
Spoon your mixture into your muffin tin or cupcake pan.
Shake your pan and smooth your batter in each cup.
Should make about 8 muffins. If some of your cups are empty fill them with water. This will help to keep your muffins moist while cooking.
Bake in a preheated oven for 12 minutes. Check them right at 12 minutes by gently inserting a knife to see if it comes out clean. If it does, they are done. Do not go past the 20 minute mark unless your would like to throw these muffins for target practice. They will dry out very quickly. Keep a watchful eye on them.
Get the coffee ready!
Buon Appetito!
Special Note: Cooking times vary. It's all going to depend on your oven. Enjoy!
Friday, October 5, 2012
Highlights of the Renaissance Festival in Shakopee, MN
Quote of the Day: A bit of history on a festival where it's cool to dress up, eat over-sized turkey legs, and yell, "Huzzah!"
Minnesota's History with the Faire
The Minnesota Renaissance Festival began its journey in September of 1971 on a 22 acre field in Jonathan, MN. More than 25,000 people visited the two weekend grand opening of the festival then named “A Celebration of Nature, Art, and Life!” That celebration has since relocated to Shakopee, MN and has grown to be the largest Renaissance Festival in the United States with an annual attendance of 280,000.I went to the Minnesota Renaissance Festival for the first time this year. I didn't dress up, but once I saw the hairbraiding booth, I decided to get my hair braided, then wished I had dressed up. Next year.
Before
During
After
Thanks to the Biker Chef for this creative shot.
The traditional turkey leg lunch and a beer
As with all good festivals (and state fairs), you eat and drink your way around the fest while visiting vendors, shopping, and watching some fun performances.
You know what they say about playing with fire...
This guy has been doing his act for 30 years!
The Chef found a fun hat.
Is he the Mad Hatter? Or, a magician?
Got his picture taken with the queen.
I found a friendly pirate to take a picture with me.
I know his secret name because he's dating my neice.
His pin says, "Not Jack."
It was fun to run into someone I know.
Although, I'm sorry we didn't get to see his juggling act.
We watched a jousting match and caught the legendary "Puke and Snot" comedy duo, and saw some other fun street entertainers.
Then, it was time to go home.
Someone might have had a little too much fun!
Thanks, Chef, for suggesting this fun fest. I had a great time. Many people come dressed as pirates, wenches, princesses, fairies, gypsys and other people from this period, or fantasy books and stories. Loved it. I'll be back next year with my gypsy costume, first in line to get my hair braided again, big hoop earrings, rings on my fingers, bells on my toes, and all that jazz.
Also, we were gifted with one last gorgeous fall weekend. Today, we have wind chills below freezing, snow in the area, and a need for parkas, ear muffs, and perhaps a hot toddy.
Go. Create. Inspire!
Journaling Prompt: Do you like to dress up for festivals or Halloween? What's your favorite costume, or idea for this year?
Wednesday, October 3, 2012
IWSG October 2012
Quote of the Day: Kind words heal and help, cutting words wound and maim. Proverbs 15:4 (The Message)
And, in another version (ESV) A gentle tongue is a tree of life, but perverseness in it breaks the spirit.
Words are powerful. We writers know that. We agonize over the choice of a word or how to turn a phrase. Non-writers know it, too, which is why so many writers are criticized and banned, and sometimes even silenced. If we live in a world of criticism, if those who are closest to us use us as verbal punching bags, our self-worth diminishes. We can't be confident even in the areas where our gifts are the strongest.
While I was at the Women's Retreat at Mount Carmel this fall, Barb, our leader, put a sock monkey on her shoulder and called him her "Critter." Her Critter is resentment. She went on to describe how that Critter affects her mood and how she treats herself and others. She scattered tiny animals on the floor and asked us all to take one and write about our critters. This is my journal entry, and here is my critter - a gorilla.
What I'm writing about here is destructive criticism, the kind that leaves you feeling beat up. Get out of the relationships that attack who you are and what you do. The world is full of criticism. The artist's life is a set up for rejection. You need to surround yourself with people who give you light and love. They will be in your camp when the No's show up in your inbox. They will tell you that you are always good enough and to keep shining your unique light in this dark world.
Thanks to Alex J. Cavanaugh for starting the Insecure Writer's Support Group. It is good group therapy the first Wednesday of each month.
Go. Create. Inspire!
The world is waiting to hear (read, see) your unique voice.
Journaling Prompt: What does your critter look and sound like?
And, in another version (ESV) A gentle tongue is a tree of life, but perverseness in it breaks the spirit.
Words are powerful. We writers know that. We agonize over the choice of a word or how to turn a phrase. Non-writers know it, too, which is why so many writers are criticized and banned, and sometimes even silenced. If we live in a world of criticism, if those who are closest to us use us as verbal punching bags, our self-worth diminishes. We can't be confident even in the areas where our gifts are the strongest.
While I was at the Women's Retreat at Mount Carmel this fall, Barb, our leader, put a sock monkey on her shoulder and called him her "Critter." Her Critter is resentment. She went on to describe how that Critter affects her mood and how she treats herself and others. She scattered tiny animals on the floor and asked us all to take one and write about our critters. This is my journal entry, and here is my critter - a gorilla.
The Criticism Gorillas rides on my pencil, staring me in the eyes.
Criticism Critter is a gorilla. He stands up on his back legs, pounds his chest, and intimidates. He might turn his back on me and show me his backside, walking away from me, abandoning me because I'm not good enough, pretty enough, smart enough, self-confident enough. Then, he lifts his head, pulls his lips back from his teeth and laughs an insidious, deep, dark laugh.
I'm leaving this forest - NO more gorillas riding on my back!
Thanks to Alex J. Cavanaugh for starting the Insecure Writer's Support Group. It is good group therapy the first Wednesday of each month.
Go. Create. Inspire!
The world is waiting to hear (read, see) your unique voice.
Journaling Prompt: What does your critter look and sound like?
Tuesday, October 2, 2012
We want to see art.
Quote of the Day: Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born. Anis Nin
Outside the Minneapolis Institute of Art/Children's Theatre
Krista and I brought her twin girls to The Cat in the Hat on Saturday. They gave the show four thumbs up, shook hands with Thing Two, then said, "We want to see art." When we brought them to Pippi Longstocking, also at the Children's Theatre, it was Art in Bloom at MIA, which they remembered. So, off we ran to see "The mouse ran up the clock" clock!
We were reprimanded a couple times for running. "Please walk in the Minneapolis Institue of Art." I had flashbacks to reading, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, by E.L. Konigsburg, where a brother and sister spend a whole week hiding out in the Metropolitan Museum of Art. Konigsburg won the Newbery Medal for her novel in 1967.
I liked this one from Swedish painter, Anders Zorn.
They zoomed from room to room looking for favorites from our previous visit and finding new art to admire. We both took a picture of the one above.
Mama let the girls take turns with her camera.
Let me look!
Art inspiring young artists!
Do you like that one?
It was a gorgeous fall day and we had some time to spare, so we took a walk across the stone bridge down by the Guthrie Theatre. We saw and heard many worlds happening all around us. We saw three wedding parties getting photographed. A young woman was getting a photography lesson from a man. This man set up his easel. I wish I had grabbed his card or asked his name. Maybe his painting will be at MIA some day?
Many people were using this setting for photo shoots.
We also witnessed a marriage proposal which didn't go as smoothly as the father (of the groom?) was trying to coordinate. We saw the group setting up. They were holding signs with letters and dots and a larger sign with _ARRIAGE on it. At first, I thought it might be a group making an add for the Vote No on the Minnesota Marriage amendment. It got me thinking as we crossed the bridge how you could have many different kinds of couples holding up the M: people of different ethnic backgrounds, men & women, men & men, women & women, to illustrate that love doesn't come in homogenous box.
That's not what was happening.
We were walking along, have a grand old time, admiring the brides and the dresses, the gorgeous fall colors, and eavesdropping on all the worlds on the bridge. We bought ice cream and snow cones from the vendor and headed back across the bridge. The dad of the _ARRIAGE proposal group jumped in front of us and yelled, "Stop!" With the sudden stop and yelling, the snow cone slipped out of the cone and plopped on the bridge. The dad looked at it and the sad girl and said, "Sorry. I'll buy you a new one. We're helping with a marriage proposal." The bridge traffic was backed up behind us. The dad was yelling at everyone to STOP! He had his binoculars in one hand, his camera in the other, and commanded each person in the proposal party to line up on the other side. The potential bride and groom were on the 9th floor of the Guthrie, looking down at the bridge.
We were feeling hot and bothered.
When we were finally allowed to walk through, the dad conveniently forgot his promise to buy the girl a new snow cone, gave her a weak appology that was filled with excuses and justification for his actions. He asked if she would forgive him, and she shook her head. We went home, leaving the colorful snow cone to melt on the bridge.
Good luck with that _ARRIAGE!
Three young ladies were watching the proposal from the other side of the group. I overheard one say, "Doesn't that make you want to get engaged just a little?" Her friend, who was leaning on the railing didn't miss a beat with her response, "No."
Go. Create. Inspire! (And, hold tight to your snow cones!)
Journaling Prompt: Have you ever had a snow cone dropping experience? How did you handle it? Does that _ARRIAGE proposal story make you want to get engaged?
Monday, October 1, 2012
Review of The Cat in the Hat at the Children's Theatre in Minneapolis
Quote of the Day:
I know it is wet
And the sun is not sunny.
But we can have
Lots of good fun that is funny!
Said the Cat in the Hat, as he entered the house. From the book by Dr. Seuss, originally produced by The National Theatre of Great Britain, playing at The Children's Theatre Company in Minneapolis, September 25 - December 2, 2012, Tickets $10-$67.
I know it is wet
And the sun is not sunny.
But we can have
Lots of good fun that is funny!
Sally played by Elise Langer, Boy played by Douglas Neithercott
Photos by Dan Norman
Said the Cat in the Hat, as he entered the house. From the book by Dr. Seuss, originally produced by The National Theatre of Great Britain, playing at The Children's Theatre Company in Minneapolis, September 25 - December 2, 2012, Tickets $10-$67.
Photos by Dan Norman, Children's Theatre Company
Cat in the Hat played by Dean Holt
Well, they let him in, and now they seem rather suspicious, don't they? I was wondering how he'd be able to balance all those things!
Fish played by Gerald Drake.
I thought he was so great as a puppet and how he looked, dressed, and his facial expressions. He is exactly how I pictured the fish to look if he were in human form!
The Cat in the Hat plots to bring in more characters to make more fun that is funny! Or, is it? Ask the fish and he'd say, "They should not be here when your mother is not!"
With the Cat in the house and Thing One (Elaine Patterson) and Thing Two (Noah Crandell) out of the box, the energy really picked up as the house fell apart! The Cat held up these kites, and Thing One and Thing Two licked their chops with eager anticipation.
After they'd torn up the house with all their running and kite-flying, the Boy got his net and caught them, telling the Cat, "Now you do as I say. You pack us those Things. And you take them away!"
At that point, the little girl in front of us started sobbing for poor Thing One and Thing Two. Her daddy had to take her out for a minute. The girl behind us said, "It's okay. It's only a show. They can come out later if they want to." Those kiddos are right there, fully engaged, and feeling sympathy for those naughty Things.
The twin girls we brought to the show were licking their own lips in anticipation of seeing The Cat in the Hat. They stood up and watched. They giggled. They put their hands to their mouths with worry, and they gave the show four thumbs up, saying "We loved it!"
Come back tomorrow to see all the fun we had after the show.
Go. Create. Inspire!
Journaling Prompt: Have you ever felt like Thing One and Thing Two had been let loose in your house?
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